De la mer duverus biography

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    In the fall of 1977, three years into my job as staff photographer at The National Zoo, I was getting bored. With little structure to guide me and being too young to appreciate what I had, I started thinking about shifting gears.

    For several years I had heard about a workshop sponsored by The University of Missouri School of Journalism held each year in a different small town in Missouri. Fifty photographers would descend for five days of shooting, nightly group projections/critiques and a final Friday night exhibition for the town.

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    A stellar group of photo editors and photographers from the world of photojournalism were brought in and each photographer was assigned a panel of three. Before you could shoot a single frame though, you had to ‘sell’ a story to said panel and once approved (not as easy as it sounds) each photographer was allowed only ten rolls of B+W film over a three-day period.

    My panel was made up of Russell Lee (of FSA fame), Bill Eppridge (the LOOK